Archive for February, 2009

Shepard Fairey discusses AP battle on NPR

Thursday, February 26th, 2009

obama_garcia_fairey
Shepard was interviewed on NPR’s program Fresh Air today talking about the legal issues with the Associated Press. The photographer of the source image Mannie Garcia also talks about his own legal issues with the AP. Many people are likely growing weary of this ongoing story, but the outcome of this case is extremely important for all artists who use any form of copyrighted source material in their work. The NPR piece encapsulates the issues involved, and law professor and expert on intellectual property Greg Lastowka brings his perspective to the table.
Click for the NPR story.

Conscious Cycle 451

Tuesday, February 24th, 2009

Street art goes green. Check it…

Conscious Cycle 451 from knox on Vimeo.

Send us your PEEL header design

Monday, February 23rd, 2009

Send us your 960(wide) x 180(high) pixels header design to rotate at the top of PE3L.com. Dowload the PEEL logo here. Send your design to holla (a) peelmagazine.com

Big thanks to Zoltron for the creepy red guy and to DOLLA’ for mister cleaver. The bird header is a logokill by Deli.

PEEL Documentary - call for submissions

Monday, February 23rd, 2009

PEEL needs your video for our upcoming documentary film.
Read the submission guidelines here: PEELmovie.

PEEL: The Art of the Sticker Review

Sunday, February 22nd, 2009

Our friend Josh MacPhee, author of Stencil Pirates, Realizing the Impossible, and head of Just Seeds posted a review of PEEL: The Art of the Sticker. Order your copy from them and you’ll be supporting a great organization that is striving for positive change.

We’ll definitely consider all of his points for PEEL: The Art of the Sticker 2. Thanks, Josh.

The Boston HOPE Riot

Thursday, February 19th, 2009

photos by Holly Combs

Shepard Fairey was arrested outside the ICA Boston on the way to celebrate his 20-year retrospective exhibition

Wooster Collective posted an edited version of this story. Marc edited it down to focus on the more pertinent details. The following is the original unedited version for anyone who wants to read it.

The real story about controversial Obama HOPE artist Shepard Fairey’s Friday night arrest in Boston is the resulting riot that didn’t happen – the riot that the Boston Police Department may have carefully planned to provoke and hoped would happen that evening, but didn’t.

On January 2, Boston Mayor Thomas Menino proposed a one-year wage freeze for city workers, including the Boston Police Department. The Boston Police Superior Officers Federation promptly agreed to a contract on January 23, after the city dismissed its residency case against West Roxbury Police Sergeant Michael Hanson. In the mix of the deal was an alleged list of more than 25 superior police officers who are living outside the city in violation of their contracts’ residency requirements. Through the use of strong-arm tactics the mayor got his wage freeze and at least 25 of Boston’s Finest got to keep their jobs. The following day two warrants were issued for Shepard Fairey’s arrest.

On Wednesday, February 4, Mayor Menino met with Shepard and was photographed shaking his hand following the unveiling of Fairey’s ‘Peace Goddess’ banner on the North wall of City Hall at a public event to promote his show, Supply and Demand, at the Institute of Contemporary Art / Boston. Thursday night Shepard sat for a Q-and-A talk at the ICA which was publicized by the museum after which he signed autographs for more than an hour. Friday morning, February 6th, Shepard had a late breakfast out in the open at 606 Congress, the restaurant in the Renaissance Boston Waterfront Hotel where he was staying. Shepard was not arrested until approximately 9 pm that evening almost two full weeks after the warrants had been issued and after numerous public appearances in Boston.

The obvious question is: Why did the police take so long after the warrant was issued to apprehend their man? Was it a matter of pure incompetence? As admiring fans of his work were the police giving him opportunity to make appearances and put more art out on the streets of Boston? I don’t think so.

My wife Holly and I were riding in the cab with Shepard and his wife Amanda from the Renaissance Hotel to the museum when the police made their move, and the answer to my question became clear only after replaying the event in my mind several times and re-examining the circumstances over and over again with Holly. It is my belief that the Boston Police Department had carefully planned to serve their warrants in front of an audience of approximately 800 excited Shepard Fairey fans, some of whom had reportedly paid as much as $500 on Craigslist for a ticket to the event. In my opinion, the BPD had at the very least set out to make a public spectacle of the arrest, and at worst were intent on provoking the agitated crowd to riot. They clearly had it out for Mayor Menino, and had engineered the perfect scenario with which to simultaneously tie Menino to a “criminal graffiti vandal” and conveniently show up to be the heroes of their own story.

Two unlikely factors which I will describe in detail worked together to foil their plan, and Shepard was arrested quietly and with no fanfare just outside the entrance to the museum parking lot with only four known witnesses apart from Shepard and the Boston Police officers themselves.

The first unlikely occurrence was that my wife Holly and I were riding in the cab in the first place. Completely unplanned, Shepard spontaneously offered to share the cab with my wife and me since we were leaving the hotel to go to the show at precisely the same time. Holly hopped into the front seat, Amanda remained on the drivers-side, and Shepard made room for me to his right. I squeezed in and shut the rear passenger-side door. One of us quickly told the cab driver we were going to the ICA and the cab driver quickly backed out of the hotel pick-up area and headed up Seaport Boulevard toward the Museum. On the way we all made small talk about the kids, Boston, a common friend, and laughed about the fact that we both knew who Ricky “The Dragon” Steamboat was.

Entrance to the ICA parking lot

The second unlikely factor was that the driver missed the turn for the entrance of the ICA. It seems to me that any decent Boston cab driver would know very well the location of the entrance to such a prominent attraction, but we had to show him where to turn and as we approached the entrance Holly, looking back, noticed that there was an unmarked tan SUV tailgating our cab. She pointed it out to Amanda, who said something like, “Why is that guy riding our ass?”, and in that moment I believe the driver looked in his rear-view mirror. At the same time Shepard said to the driver, “It’s right here! The museum.” and pointed to the parking lot entrance. The driver slowed down to attempt to make the turn but still missed the entrance by just a fraction of a second and we passed it by a short distance. The driver tried to back up or turn around but the unmarked SUV directly behind us was blocking our path. I’ve seen enough episodes of COPS to imagine a conversation inside the unmarked police car at this point, “We’ve been made. Hit it,” or something to that effect. Police officers wearing bullet-proof vests quickly surrounded the cab, and one of them pounded loudly on the driver’s window. “Boston Police, stop the car. Turn off the car.” The officer exchanged words with the cab driver, and one of the officers flashed a badge and asked us each to identify ourselves. I don’t remember exactly which of us spoke first but when their target at last calmly said, “I’m Shepard,” one officer commanded, “Everybody out of the car, now!” We quickly decided to OBEY.

Amanda talks to officer

Two officers surrounded Shepard on the far side of the cab in the street and an additional officer herded the remaining three of us over to the curb on the other side of the cab where we stood facing Shepard with our backs towards the museum. The officer asked if any of us were family and Amanda told them that she is his wife. The three of us stood stunned overhearing the officer explain to Shepard that they had warrants for his arrest. Shepard calmly explained that he had already taken care of the warrants, and one of the officers said, “These are new warrants.” More verbal exchange ensued, and at some point Shepard raised his hands in front of himself and from what I could see from the curb, the officer cuffed or zip-tied his wrists. Holly asked, “What’s happening?” Amanda replied she didn’t know. About then one of the officers told us that Shepard was going to jail, and he would be there until Monday morning. They pulled his two black bags out of the cab and asked who they belonged to. “It’s his records and laptop for DJ’ing, but my stuff is in there too,” Amanda replied. The officer put down the bags and said he didn’t want their stuff.

Amanda proceeded to inform one of the officers that Shepard is diabetic and that his insulin pump was low and would need to be refilled very soon. She went over to the other side of the cab where the officers were standing with Shepard and I couldn’t hear what she said to them. She told the cab driver to keep the meter running and wait. About this time the officers were leading Shepard away from the cab and towards their vehicle. As they were taking him away Amanda reminded him that he has rights and he needs to talk to their lawyer. When she returned to the curb on our side of the cab an officer told Amanda the phone number and district where they were going to take Shepard so she could bring his insulin. We had no pen or paper so Holly took down the number into her iPhone, and emailed it to Amanda. Amanda at first asked me to stay there and watch to make sure they didn’t do anything to Shepard, but in the time it took for Holly to get the information from the officer and email it to Amanda they had already gotten Shepard into a marked police vehicle and we couldn’t see him any longer. I remember at one point during all the activity turning around and looking behind us at the museum to see if anyone in the parking lot or in front of the museum could see what was happening out here. Apparently they couldn’t as it was fairly dark and we were pretty far away from the museum. No one was watching us save for the Giant icon above the museum.

Experiment ICA Boston

We told Amanda that we would make sure she got back to the hotel safely and helped her get the bags back into the cab. Holly climbed in the back with Amanda and I rode up front. We told the driver to take us back. On the way back to the hotel the cab driver who was visibly shaken asked me in broken English, “What the matter with that guy?” or something to that effect. I told him that he was the most famous artist in the world, and that he just had a little problem with authority. “Oh, is too bad,” he replied. I asked him what the fare was and he thought for a second, and said, “Um, ten is enough”. I handed him cash and opened the car door to get out. Holly was smart enough to question the driver and ask him if the police had talked to him before we originally got into the cab. He said “No, I just pull up when the hotel guy call”, also in broken English. For some reason I believe him.

Between the cab and the hotel entrance, Holly or I told Amanda, “It’s going to be OK”. I carried the bags as we went inside the hotel. Immediately after we entered the lobby, Amanda made a quick phone call to Helen Stickler who is filming her second documentary about Shepard. After they spoke briefly, we escorted Amanda up to their hotel room and dropped off the bags. Holly copied down the station information from the police onto paper, and I double checked to be sure it was correct just in case. Shepard and Amanda’s daughter made small talk with Holly and me about movies, and stickers, and she gave Holly a pocketful of OBEY stickers. We asked Amanda if she needed anything at all to let us know, and we left a phone number and our hotel room number on the piece of paper with the other information. She said she needed to do medical stuff, that she was fine, thanked us for our help, and that we could go.

We left the room, got back in the elevator and rode down to the lobby, not really knowing where we were headed. When we got to the lobby, Holly encountered two men who asked her what was going on. She started to tell them the story, and then paused, and asked, “Why am I telling you this? Who are you?” The men identified themselves as the curator of the ICA and one of Shepard’s business associates. So Holly told them the abridged version of this story, they asked a few questions of Holly, and immediately set off to go to the police station with Amanda. Holly and I sat down in the hotel lobby silently for several minutes trying to wrap our heads around the events of the last 15 or 20 minutes. What we didn’t realize is the events were clearly the Boston Police Department’s “Plan B”. Had the two unlikely events I described not happened just as they did, their “Plan A” would have gone something like the following…

Plan A: We successfully make the turn into the ICA. The unmarked SUV follows our cab and drives right up to the front entrance of the glass-façade ICA with 800 of Shepard’s fans inside and outside hyped on adrenaline excitedly watching, waiting for him to arrive. The SUV swoops in and the undercover cops emerge to seize Shepard right in front of all those fans. Now, I was in that crowd later that night, and I can be sure that at least a handful of those guys I met inside wouldn’t have just stood there without doing something. It might have been that they ran out and shouted obscenities at the cops who were arresting Shepard, or they might have simply lost their minds and just mobbed the cops depending on the number of people who ran out, all while the cameras were rolling. Either way, something ugly certainly would have jumped off, and whatever happened it would have played right into the hands of the Boston Police Department and helped them hand the Mayor his ass on a platter. Remember, Mayor Menino was photographed just two days earlier congratulating Shepard and welcoming him to Boston.

When we got down to the lobby Holly, still shaken from what had just happened, pulled out her iPhone, and said, “I got pictures”. She showed me the photos of the arrest in progress, with my right ear in the foreground. As we sat there in the hotel lobby wondering aloud what we should do next, we thought, “What would Shepard want?” We imagined he’d want us to go back to the party and try and have a good time in spite of the situation. We took another cab back to the Museum and we went around the line of people still waiting to get in as our names were on the guest list, and that’s when we realized how many people would have been watching Shepard get arrested if we hadn’t missed that turn. We went inside, and saw the expectant faces of all those in attendance and we were heavily burdened with the knowledge that Shepard wasn’t going to be coming that night. We went upstairs to try to find some friends, and tell them what was happening in order to get some outside perspective while we were surrounded by 20 years of Shepard’s artwork.

Shepard Fairey Supply and Demand ICA Boston

Everyone agreed that there was little we could do right now, and that Amanda and the others were taking care of business. Later on we went downstairs to hear Z-Trip as he was keeping up the vibe and carrying the weight of the crowd’s expectations and their emotions about Shepard’s arrest. I didn’t hear the announcement or the crowd’s response when they said he’d been arrested, but with his incredible energy and marvelous skills Z-Trip managed to turn a terrible situation into a rally and unite the crowd to party in celebration of the struggle against the powers that be.

Fuck the Boston Police

If you can just imagine the energy in a room packed with 800 fans led by Z-Trip in a one-finger salute to the Boston Police Department to the tune of Rage Against the Machine’s “Killing in the Name of” followed by Bob Marley singing “Get Up Stand Up” to bring it back down you can see how he helped us work out our frustrations with the music, and be able to then chill out and not start that riot after all.

DJ Z-Trip spinning at Shepard Fairey's ICA party 'Experiment"

It’s my opinion based on what I experienced, Shepard Fairey became a pawn in an ugly political game in which the Boston Police Department was willing to risk the safety of the citizens it has sworn to protect in order to punish the Mayor for his shady deal. With cops and city government officials like that, who needs criminals? Apparently they do.

Afterthoughts:
Boston Detective Bill Kelly has since denied that the timing of Shepard’s arrest was intentionally planned to create an inconvenience for Shepard and the ICA. However, the Globe wrote that Kelley ended a stakeout by pulling the cab over and arresting him on an old graffiti charge. The obvious problem with that statement is that if the intent was simply to arrest him, why didn’t they do it in front of the hotel before he entered the cab in the first place? While standing in front of the hotel waiting for a cab, Shepard and I had a complete conversation about a guitar pick that he’d left behind at breakfast that morning which provided plenty of time for the cops to make their move.
I still believe that the only reason the arrest was not a public spectacle is that the cab driver missed the turn into the museum parking lot.
The second problem is that I heard the arresting officer tell Shepard that he was being arrested for “new” warrants which also contradicts the Globe’s statement.
In addition, if the police were not expecting something more dramatic to happen, why were they wearing the bulletproof vests to privately arrest someone with no violent history?
I neither understand why a few bloggers have been so quick to dismiss the riot theory. Later that night many of the people in the crowd stood in unison with their middle fingers in the air chanting, “F*CK YOU, I WON’T DO WHAT YOU TELL ME!!” as a statement to the Boston Police Department.
I think it’s total bullshit that Shepard missed his own party. In the long run the Mayor may lose a few points, Shepard and his work will be more popular than ever, and the city of Boston is the big loser thanks to the BPD.

Bytedust

Friday, February 6th, 2009

Interview by Evilos

I first started to recognize Bytedust’s work when I was doing my maddstickers thing; early in my sticker trading days. I remember getting these really cool vinyl black and white gas mask’s things from Europe. Which by the way, im a sucker for vinyl stickers. So I started to get into contact with this artist because I always found his work stylish and interesting.

So I have known Bytedust’s work for about 2 years now. In this time he has surely evolved from those black and white gas mask stickers; into a vector master. I’m glad to say I have every one of his stickers in my blackbook collection and I get excited when a new one comes out.

Not too many people know this but Bytedust has designed two of my sticker pack headers. Which is the card stock paper that gets stapled to the sticker baggie. With very limited input he has masterfully designed the “Artist Pack #1″ and “Posse Pack” headers. I can’t thank him enough for all the work he has put into these.

So I felt it was due that I virtually sit down with Bytedust and ask him a few questions about himself and his work:

Most people might not know that you are not located the USA. What part of the world do you reside in?

I’m from Utrecht, the Netherlands (Holland). Utrecht is one of the major cities from Holland and is 30 minutes from Amsterdam by train. The Netherlands counts approx. 16 million citizens.

The USA scene is hit and miss sometimes. How is the sticker scene there?

The street art scene in Holland is comparable with the scene in the USA. Especially Amsterdam has lots of art on the streets. You will find sticker art in all other major cities as well. The biggest difference with the US is we don’t have postal stickers to play with. In Holland we find less hand drawn and more printed stickers on the streets.

Everyone starts from zero. How did you first get into making stickers?

I started in 2002 with making stickers. During this period I visited underground rave parties (in the Netherlands and some other parts of Europe), which setup was often simple, but very creative. I started Bytedust.net for hosting my photos I made during the parties.

The past few years my interest changed and through message boards (like Slaps) I came into contact with artists creating stickers. I enjoyed getting involved in design contests and collaborations and more of my designs were printed on clothing and stickers. A personal interpretation about sticker art gradually changed into Bytedust/ Hazchem.net

How have you evolved since you started?

I was an advanced user of Photoshop when I started making stickers, so I made my first stickers in Photoshop. Later on I teached myself the ins and outs of Illustrator. This is a very powerful tool for making vector graphics.

I’m much better with the computer mouse, than drawing by hand (I never have practiced my hand drawn skills a lot). I’m quite a perfectionist and the computer makes is possible to change things real time, without messing up my graphics.

What kinds of methods or programs do you use to create your stickers?

I’m using Adobe Photoshop CS2 and Illustrator CS2

You have some good quality paper sticker made. Where do you get your sticker made from?

I printed them at http://www.cromatics.co.uk. This is a good company from Germany (not the UK) who print full color stickers for a good price.

What was the first sticker you could remember making?

My first sticker was a black and white gasmask illustration:

This image is made in Photoshop. I cleaned it up and vectorized this image a while ago using Illustrator.

How did you come up with the whole haz-chem imagery?

The reason why I’m using the Hazardous chemical (Hazchem) imagery will be obvious when I tell you that I passed for my Master of Science (biomolecular sciences) in 2002 at the University of Utrecht. This study in Science inspired me a lot in my recent work.

How did you hear of PEEL Magazine?

Mmh… I’m not sure; I think I found the website of PEEL Magazine during a Google search in 2005.

I see that you have started to produce some plush toys. How did you start getting into this line of artistic expression?

Besides sticker art I’m also very passionate about art toys (designer toys). These highly collectible, but limited numbered toys, designed by (famous) artists, encouraged me to get one of my 2D characters transformed into a 3D figure.

I transformed two of my characters into plush and a third Cloud-X plush is coming up in summer 2007.

I really like when a character is entering the world with a story, so most of my characters are carrying a story or message…

“Cloud-X” (little factory) is an environmentally conscious character. The red sign on the clouds chest (the place where the heart belongs to be) stands for Toxicity and Pain. The sad expression of this design is intended to be elicited and subversive.

“Hazmate’s” cute face expression and the red sign of “extreme danger” have to induce confusion and curiosity (like a bitter pill that looks like an attractive sweet candy).

Do you sell your plush? If so where could someone find these?

Yep, I do sell them at my website http://www.bytedust.net

Everyone has a certain spark which enables them to achieve great things. What drives you most to do what you do?

I like to be creative and I like to work out some ideas I’ve in mind. Sticker art is a nice way to express myself to the world, and to communicate anonymously with people or other artists.

On every path there is fork in the road, what goals do you have for the future?

At the moment I’m quite busy with setting up an one-man business in visual design. My business is called Bytedust. I’m following a few courses at the moment in graphic design and how to setup a business in the design sector. I suppose I’ll only use my master study as a source of inspiration, instead of a source of income.

It has a couple of reasons I’m not working as a scientist at the moment, which are some health problems and a reduced motivation in doing research at a laboratory.

Of course I will also continue creating stickers, t-shirts, toys etc. And hopefully I’ll have some more time for creating some more collaborations as well.

Any last words, thanks or advice?

I learned many techniques by looking at work from other artists. So I’ll thank all artists who has been a source of inspiration for me.
Imitating (techniques) is good for your skills, but always be an original copy cat. Most simple and great ideas are coming from ‘out of the box’…

More at: bytedust.com

Shepard Fairey in Conversation with Susan Dackerman

Friday, February 6th, 2009

Shepard signs autographs for fans after Q&A session with Susan Dackerman
Shepard signs autographs for fans after Q&A session with Susan Dackerman

Thursday, February 05, 2009
6:30 pm

I was about 12 years old the last time I stood in line to get an autograph. Ricky “The Dragon” Steamboat was in town, and my dad took me to the meet-and-greet before the matches so I could see my larger-than-life TV hero in person and get a signed 8×10 glossy. For a 12-year-old kid that was a kind of magic that’s difficult to describe. It’s been more than twenty years now since I’ve had anything close to a hero, but tonight at the ICA Boston something akin to that same kind of magic happened once again for me. As I stood in line with my wife Holly and hundreds of other fans waiting to talk to Shepard and get an autograph on their special 20-year anniversary edition of his book, Supply and Demand, we recounted first seeing his sticker several years ago in NYC and much of what’s happened to us since. Shepard’s Andre the Giant has a Posse sticker was the one that turned us onto street art, and as trite as it might sound, changed the course of our life forever.

The night began with a full house, and we almost didn’t get into the auditorium as the seating was sold out beyond capacity. We explained that we were there to cover the show, and after an initial firm, “no”, Holly did her thing, and the very friendly staff at the ICA hooked us up with a standing room spot behind the sound booth (Thanks, Colette!). We graciously accepted and got in line with the diverse crowd who’d been fortunate enough to score a ticket in the usual way.

ICA Adult Programs Manager, Lizzi Ross gave a concise introduction and then Susan Dackerman, the Carl A. Weyerhaeuser Curator of Prints for the Harvard Art Museum/Fogg, took the stage. She said a few words to introduce Shepard and then they both took seats in the center of the stage around a glass coffee table, Oprah-style. Susan led the Q and A session as slides of images from Shepard’s body of work were shown on a large projection screen behind them. The questions were delivered in such a way as to afford Shepard the opportunity to give a street art primer for those who were unfamiliar with the movement, while leaving plenty of room to talk about specifics of his work that would add insight for even long-time fans. I’ve seen Shep speak numerous times on various videos and television shows, most recently on Charlie Rose, and tonight he was characteristically relaxed and well-spoken. What I hadn’t seen before was his excellent ability to connect with a live audience in that particular setting. Numerous times during the talk, irony gave way to laughter, and the crowd remained riveted.

Conspicuously absent from the Q and A were any questions related to the legal issues with the AP over the image rights to the Obama photo used to create the HOPE print. Everyone else was talking about it, but apparently by design it was off limits for this discussion.

Tonight was kind of cerebral and maybe a little stuffy for the average street art fan, but tomorrow night is “Experiment” where Shepard and his music mentor DJ Z-Trip will both be spinning and we’ll get to loosen the collar for a fun night of music and celebration of twenty years of OBEYing the Giant.

PEELzine 3 is now online.

Monday, February 2nd, 2009

Thanks, Kayla, for converting that old Quark file! PEELzine 3 is now up.