Archive for April, 2009

Get Rich Quick!

Thursday, April 30th, 2009

get_rich_quick_carmichael

A selection from the collections of our collectors featuring rare originals and prints from:
Antony Micallef, Banksy, Barry McGee, Bast, Beejoir, D*Face, Dalek, David Choe, David Choong Lee, Faile, Ian Francis, KAWS, Nick Walker, Paul Insect, Shepard Fairey, Sixeart, Skullphone, Space Invader, Swoon, Will Barras and more to be announced!

Opening reception: Thursday, May 7th 2009 / 7.00pm – 10.00pm

Please RSVP to rsvp@carmichaelgallery.com

Also opening “When All The Stars Are Gone” a solo exhibition by Thais Beltrame in our front gallery

1257 N. La Brea Avenue
W. Hollywood CA 90038
carmichaelgallery.com

The exhibition will be open for viewing through Thursday, May 28th 2009 from 1.00pm - 7.00pm.

Carmichael Gallery is proud to present a selection of artwork from some of the strongest voices in the contemporary art world, including Antony Micallef, Banksy, Barry McGee, Bast, Beejoir, D*Face, Dalek, David Choe, David Choong Lee, Faile, Ian Francis, KAWS, Nick Walker, Paul Insect, Shepard Fairey, Sixeart, Skullphone, Space Invader, Swoon, and Will Barras. Both original works and a selection of rare, sold-out prints will be available for purchase. Please note that these artists are not represented by the gallery.

Contact art@carmichaelgallery.com to preview available work or if you have strong pieces you are interested in consigning.

ABOVE Graffiti

Wednesday, April 29th, 2009

goabove.com

Logan Hicks & Broken Crow / Brokenhorse - Brooklyn, May 1st

Monday, April 27th, 2009

logan_hicks_brokenhorse

‘THE BROKEN HORSE’
The Artwork of Broken Crow and Logan Hicks
BROKEN HORSE will run May 1st to May 3rd
Opening: Friday, May 1st 7-11pm
Hours: May 2-3 12pm to 6pm

Broken Crow, the two-man painting team, and Logan Hicks (Workhorse) are proud to announce the ‘The Broken Horse’ show. This 3-day event will mark the first official show in New York for all three of the internationally acclaimed artists. Taking the current economic state head on, the show will be hosted at the former Hamilton Savings and Loan Bank at 498 Court Street, Brooklyn, NY, in Carroll Gardens.
Although it appears to be simply a mix of the artists’ monikers (Broken Crow and Workhorse), the show’s title ‘The Broken Horse’ reflects the dualism of each artist’s work. Using this platform, the artists tackle the subject of living beings in their environment. Perhaps the Broken Horse is one whose spirit has been ‘broken’ - reared for servitude; maybe it refers to a busted horse, one that is damaged and no longer of use. This dualism leaves the title, and each artist’s respective work, open to interpretation: productive versus ruined, urban landscape or wildlife, ominous against auspicious.

workhorsevisuals.com
brokencrow.com

Ban Comic Sans on BBC’s World Update

Friday, April 24th, 2009

Dave and Holly Combs at WFYI Radio in Indianapolis

Dave and Holly Combs, co-founders of PEEL and Ban Comic Sans were interviewed along with Comic Sans creator Vinnie Connare about the Ban Comic Sans project, which began as a sticker campaign inspired primarily by Shepard Fairey’s Andre the Giant has a Posse stickers. The edited interview aired on BBC’s World Update and the full interview is available here.

bancomicsans.com
connare.com

Sam Flores at Subliminal Projects

Friday, April 24th, 2009

Sam Flores at Subliminal Projects Gallery

SUBLIMINAL PROJECTS x SAM FLORES
EGO, ADDICTION, & OTHER BEDTIME STORIES
NEW WORKS BY SAM FLORES

OPENING RECEPTION:
SATURDAY, MAY 2ND, 8-11PM

EXHIBITION DATES:
MAY 2ND - MAY 30TH, 2009

In his show Ego, Addiction, and Other Bedtime Stories, Sam Flores tackles what is perhaps one of the most pervasive themes in human existence: the struggle between light and dark. Through color and contrast, Flores addresses those parts of our selves that seek to hide behind the protective mask of acceptance while our inner demons claw at us from the inside. ”There is a constant war being waged in the fight for balance,” says Flores, “to determine which side of us, good or bad, will win out in any given moment.” Yet despite the eternal conflict, Flores never hesitates to remind us of the potential for beauty to shine through - even in our darkest hours.

SUBLIMINAL PROJECTS GALLERY
1331 W Sunset Blvd
Los Angeles, CA 90026
E: info@subliminalprojects.com
P. 213.213.0078

subliminalprojects.com
samflores.com

Magnet Mafia Interview

Wednesday, April 22nd, 2009

magmaf_facefront2
Meg Duffy of Illicit Exhibitions interviews Magnet Mafia. Read it here.

Tats Cru Obama Won ABC

Wednesday, April 22nd, 2009

Magnet Mafia

Wednesday, April 15th, 2009

magmaf_facefront2

Interview by MEG DUFFY (illicitexhibitions.blogspot.com)
Photos by Andrew Tonkery (bunnyblood.com)

Magnet Mafia is the friendliest mob around. They’re not out to murder your family or hustle drugs. They just want to stick magnets on your city’s metal bits. In an age where urban areas are increasingly metallic, dumpsters, light poles, utility boxes, and I-beams are all fair game. Armed with industrial grade magnetic sheeting, the Mafia is coming soon to a ‘hood near you.

Mafia founders Harrison Nealey and Matt Feeney go back like wildstyle and Krylon. After meeting in middle school, the pair bonded over their obsession with graffiti and kept in touch to eventually create the Mafia. Since early 2006, the duo has slapped thousands of pieces on anything with magnetic properties. I caught up with the pair to talk about art exchanges, collaborations, and how to join the team (Don’t worry, you don’t have to whack anyone).

What prompted you to start working with magnets? Did you have any prior graffiti experience?
M: Harrison and I have always been really interested in street art. Magnets were just the first project we made a big priority. It was a medium that gave us a lot of options for sharing our work with people.

magmaf_mrmatt

What kind of feedback did you get from the community when you started this?
M: The community has been pretty open with it. Everyone we’ve worked with has been really excited about the medium and the community enjoys collecting our magnets.

Describe your early days. Were you working other jobs and tagging on the side?
H: When we first got started, we had a mortgage company to deal with and our day jobs were filled with paperwork. It was only after hours that we had time to work on Magnet Mafia. We conceptualized it for about a month before we started putting stuff up.

M: We’ve been involved in so many types of things because so many people are involved with our project.

How many magnets do you think you’ve put up to date?
H: Just us? Probably 10,000.

M: With everyone involved, it could be close to 20,000. Harrison and I tend to do bigger stuff and we’ve done about 20 really huge projects with lots of small stuff on the side.

magmaf_fencehop

Where have you tagged besides Denver?
H: We’re pretty much coast to coast in the US: California, South Dakota, Florida, New York.

M: Those are just the places we know magnets have made it to. Overseas, we’ve got stuff in Australia, Austria, England, France, Egypt…We like to network and spread work around whether it’s our own or some of our friends’.

What kind of mediums do you use to decorate the magnets?
M: Magnets take all sorts of paints really well. Harrison and I do a lot of acrylic.

H: Yeah, you can use spray paint, acrylic, stencil, Sharpie, drip markers, whatever. It’s a melting pot on that magnet.

magmaf_spraying

Explain to me how you developed your trademark style.
M: Harrison and I developed our style because we’ve known each other for a while. I think elements of our style come from live painting and interacting with people. Magnet Mafia keeps progressing because there are more artists involved.

magmaf_wrkn

Street art is transient, but magnets can be moved, tweaked, and taken. Was it difficult to leave a magnet behind? Do you document your sites and peace?
H: It’s been tough to put some of them out. If we like it and we have a special bond with it, we try to put it up high or in a difficult to reach place.

M: I’m gonna say no. I think it’s cool to think people pick them up. I love to pick stuff up off the street, so I hope other people do, too.

Tell me a bit about your art exchanges and when the next one is coming.
M: The Austria project was really cool. The ladies from Spondere really liked our concept and they approached us about doing an art exchange. We were already sharing our work on a small scale, but they wanted to do something worldwide. We sent 50 square feet of finished magnets from Denver artists and 50 square feet of unfinished magnet to Austria. When it got there, the ladies hosted two days of workshops one day for adults and one for kids so they could produce their own magnets. The Denver magnets were displayed in Austria and the Austrian magnets were sent back here for a show. Finally, all the work got dispersed into the streets. We want to do another exchange, but we want to wait for a big one. Hopefully, we’ll have one at the end of this year or the beginning of next year.

You’ve participated in gallery shows like May Magnet Month in Scottsdale, Arizona. How does your work differ in an indoor setting?
M: Even though it’s a different environment, we’re searching just as hard for a little piece of metal indoors. We still have to be creative about where to put our magnets. There isn’t much metal on the inside of places. What’s different inside is that you can plan something that you couldn’t get away with in the streets. It’s similar in the sense that you’re using the building but different if you bring your own elements.

Who would you love to collaborate with in the future?
H: We’ve been in Paul Notzold from TXTual Healing. He works with laser projections and cell phone texting combined. Also, we’d love to work with Graffiti Research Lab.

Your website says that your crew is growing daily; are you experiencing rapid growth? How are people finding you? Is it growing just in Denver or are you worldwide? How do you keep in contact with your crew?
M: We go by word of mouth and lots of people find us that way. We’re proud of Magnet Mafia and we talk to people about it. If we find an artist that we like, we ask them to join. In the future, we’d like to get everyone in a forum situation so we can know who everyone is. I’d say there’s about a few hundred people in the Mafia that we know of.

H: There are about 10-20 hardcore artists who make magnets on a regular basis. We’re building pockets in California, Washington DC, and South Dakota. Outside of the US, it’s hard to tell.

How do I become part of the crew? Is there an initiation? Do I have to drink a case of beer or put up 1,000 magnets everywhere?
M: A case of beer and 1,000 magnets! The Mafia is for people who want to use magnets as another part of their artistic arsenal. At the end of the year, we’d like to connect our members more. We’d love to have an online hub where people can log on and check out different missions. Ultimately, we’d love to be bigger and more organized.

H: Like a real mafia.

M & H: We need to say thanks to the heads that have supported us and have directly helped the movement grow. And peace to the Magnet Mafia fam, especially zombie 138, reak havok, caul, dmure, boost, and some guy named Eric. We love you guys.

magmaf_train

With new missions and projects, Magnet Mafia is growing and changing constantly. Stay in the loop by checking their website, MagnetMafia.com, on a regular basis.

MA(r)X POWER (my sticker) by CINASKI

Wednesday, April 8th, 2009

myspace.com/cinask_i
flickr.com/photos/cin4ski

London Police ‘10 Years On The Circle Line’

Tuesday, April 7th, 2009

London Police ‘10 Years On The Circle Line’ 09.04.09 - 26.04.09
london_police_stolenspace
The London Police started when two English geezers moved from London to Amsterdam in 1998 to rejuvenate the visually disappointing streets of the drug capital of the world. Famous for their lovable & iconic ‘Lads’ characters which have been seen on streets all over the world. The ‘TLP’ members have come and gone, but now, after 10 years the two founding members have rejoined to bring together their unique styles in a strong collaboration for this much anticipated London show, entitled ‘10 years On The Circle Line’

This show is a celebration of a decade of work by the duo and for the 1st time collaborating what has become vastly different styles. While one artist’s skill at drawing a circle ‘freehand’ is staggering, no compasses, guides or masks are used. While the other, since his departure in 2004, has developed his own imagery, an architectural style of line drawing. In these playful fantasy cityscapes ‘the lads’ are constructed and move around freely, in turn helping to build further elements of the city. They wanted to create a place full of interaction between their circle drawing and line drawing.

This show will feature new works from the The London Police on linen & canvas, video installation and photography…. as well as see the release of a new limited edition hand pulled screen print.

stolenspace.com
thelondonpolice.com